Let's get Quizical, Quizical. I wanna get Quizical...


quiz.jpeg

Happy New Year listeners!

Assuming, that is, that it’s not currently December 32nd. Who knows what might happen in 2020? As a New Year treat I have prepared the inaugural Revelation Station pub quiz! This here episode is the questions and I’ll be following it up in the next few days with the answers. There are 83 points on offer here, try not to cheat, and don’t forget you’ll also need a pen and paper.

When you’ve completed the quiz why not drop me a line at revelationstationpodcast@gmail.com with your punny team name and I might read it out in the answers episode.

Thank you for all your support this year. We’ll be back with some proper episodes before too long. In the meantime, take care, stay safe and keep talking!

As a special thank you for listening here’s an offer. For a limited time you can get 3 months of Amazon Music Unlimited for absolutely FREE! (Terms and Conditions apply, £7.99 per month after free period for Prime members). By clicking this link and signing up, Amazon will also give some money to the podcast, you’d be helping us out and also getting access to over 70 million songs. It’s literally a win/win situation.

And that’s not all! Until the end of January, we will be releasing an exclusive minisode each Monday. These are only available for people who have donated the price of a coffee to the podcast by clicking on this link. All donations will go towards the running cost of the website and recording equipment, and you’ll get to listen to me talking to myself about records. Also a win/win!

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

A Winters Tale


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Merry Christmas listeners!

In this festive episode we travel back to Christmas Eve 2019 for an untold story of The Revelation Station. As the snow falls, two weary travellers chance upon a mysterious house in the middle of nowhere, where they are forced to spend the night. Unlike any other Christmas tale, ghostly goings-on ensue in a story that is most definitely NOT ripped off from anything else you might have seen or read. No music review in this one dear listener, this is a bit of fun to keep you amused (hopefully).

We’ll be back with more reviews in the new year. Thank you for all your support in 2020. If you would like more stories to listen to, we have a special deal for you. Until December 28th 2020 you can get a free sample of Amazon’s Audilble catalogue. Simply click this link and you can choose a free episode of one of Audible’s biggest 2020 titles for free. Even better than that, if you take a free trial Amazon will donate money to the podcast. What do you have to lose? I highly recommend the Alan Partridge podcast.

And that’s not all! Until the end of January, we will be releasing an exclusive minisode each Monday. These are only available for people who have donated the price of a coffee to the podcast by clicking on this link. All donations will go towards the running cost of the website and recording equipment, and you’ll get to listen to me talking to myself about records. Also a win/win!

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Weighed down by the absence of sound...


You really need to get a manicure after lockdown love.

You really need to get a manicure after lockdown love.

Greetings Stationeers! Welcome to our final review podcast of 2020!

In this episode we will be having a listen to Peter Gabriel’s second solo album, released on 3rd June 1978. This marked a radical change of sound for Peter, who embraced the ethos of Punk and New Wave. He roped in prog rock legend Robert Fripp to produce the album and it was completed in record (geddit) time. This album sees Peter moving away from the proggy sounds of his previous release and closer to the global influences of albums to come. It also formed the first of a loose trilogy of Robert Fripp albums, along with Exposure, released in 1979 and Daryl Halls’ Sacred Songs, released in 1980.

But what do the boys from the Station think of it? Did Gary enjoy the final track on the album? Which song is Simon’s favourite? Did Robert Fripp do a good job of the production? Why did Peter play a punk cover of “A Whiter Shade of Pale” on his 1978 tour? Just exactly what does “Frippertronics” entail? FInd out the answers to these questions and more by clicking play.

NEXT EPISODE: We will return with more reviews in the New Year.

I hope you enjoyed Robert Fripp’s solo album…I mean Peter Gabriel’s second album. As a special thank you for listening here’s an offer. For a limited time you can get 3 months of Amazon Music Unlimited for absolutely FREE! (Terms and Conditions apply, £7.99 per month after free period for Prime members). By clicking this link and signing up, Amazon will also give some money to the podcast, you’d be helping us out and also getting access to over 70 million songs. It’s literally a win/win situation.

And that’s not all! Until the end of January, we will be releasing an exclusive minisode each Monday. These are only available for people who have donated the price of a coffee to the podcast by clicking on this link. All donations will go towards the running cost of the website and recording equipment, and you’ll get to listen to me talking to myself about records. Also a win/win!

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

There are many things that I would rather do...


From one guitarist to another, in this week’s episode we are listening to the second album from Steve Hackett.

Yeah…I don’t really want to…

Yeah…I don’t really want to…

Please Don’t Touch (how many times have I heard that before?) was released in April 1978 on the Charisma label. It followed a period of time spent recording in America, and features some well known voices from across the pond. Without the restrictions placed on him by a band setting, Steve fully flexed his creative muscles to produce an album that is unlike his debut. Gone are the Genesis influences, with only Chester Thompson on drums, and in are the Rock sounds of Steve Walsh (of Kansas fame). It’s an eclectic mix, but does it work as an album?

That, dear listener, is the question facing our intrepid duo this week. Does the album suffer from sophomore slump? Whose vocal performance does Gary describe as “a tour de force”? Which song does Simon skip? You can find the answers to all these questions, and more, by clicking play and having a listen.

NEXT EPISODE: Peter Gabriel - 2 (or Scratch if you prefer)

I hope you enjoyed that trip into the mind of Steve Hackett, as a special thank you for listening here’s an offer. For a limited time you can get 3 months of Amazon Music Unlimited for absolutely FREE! (Terms and Conditions apply, £7.99 per month after free period for Prime members). By clicking this link and signing up, Amazon will also give some money to the podcast, you’d be helping us out and also getting access to over 70 million songs. It’s literally a win/win situation.

For 10 weeks up until the end of January, we will be releasing an exclusive minisode each Monday. These are only available for people who have donated the price of a coffee to the podcast by clicking on this link. All donations will go towards the running cost of the website and recording equipment, and you’ll get to listen to me talking to myself about records. Also a win/win!

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Slipping Under Autumn's Gaze...


The Bard, the water spirit and the volcano would be a better title IMHO.

The Bard, the water spirit and the volcano would be a better title IMHO.

Greetings listeners and welcome to our review of Anthony Phillips’ The Geese & the Ghost. This first solo album, by everyone’s second favourite Genesis guitarist, was released in March 1977 after a nearly 7 year gestation. Like Steve’s first solo effort, it features both Phil and Mike, as well as John Hackett on the flute.

This album shows Ant’s sensitive side, with pastoral songs about beautiful ladies, Henry V (or maybe VIII, who knows?), Geese flying west and err…(checks notes) chinese mushroom clouds. This album was not well received by the record company, but many fans see it as a continuation of the Genesis sound laid out on Trespass.

Cowering under the battlements as protection against the wind, Simon & Gary pick over the album that Allmusic would describe as “gorgeous, luscious, languid and utterly pointless” and “very arty in an early 70’s manner” in their review. Is that fair? You either already know what you think, or are eager to find out. Either way click play and discover what two tracks Simon thinks are great, what chart position it got to and what surprising track Gary says is the best on the album. This episode also features a rare abandoned BBC radio documentary on the making of the album. Presented here in three parts for the first time since, I don’t know, 1978 probably.

NEXT EPISODE: Please Don’t Touch by Steve Hackett

I hope you enjoyed that trip into the sensual world, as a special thank you for listening here’s an offer for you. For a limited time you can get 3 months of Amazon Music Unlimited for absolutely FREE! (Terms and Conditions apply, £7.99 per month after free period for Prime members). By clicking this link and signing up, Amazon will also give some money to the podcast, you’d be helping us out and also getting access to over 70 million songs. It’s literally a win/win situation.

For 10 weeks up until the end of January, we will be releasing an exclusive minisode each Monday. These are only available for people who have donated the price of a coffee to the podcast by clicking on this link. All donations will go towards the running cost of the website and recording equipment, and you’ll get to listen to me talking to myself about records. Also a win/win!

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Delicious hot, disgusting cold...


Doesn’t get much more unorthodox than this…

Doesn’t get much more unorthodox than this…

Hello, and welcome to Jazz Club. Nice. Tonight we feature Season Two of The Revelation Station Podcast, in which we explore the solo works of Genesis members past and present. Great.

In this episode we’re taking a long drag on the jazz-fusion doobie that is Brand X’s debut Unorthodox Behaviour, featuring cheeky chappie Phil Collins on drums. Wonderful.
Released in 1976, after a few years of tumult, this debut is technically Phil’s first venture into music outside of Genesis. He had been a busy session musician up to now, but this marks the first time he joined another band to write and record. It’s an interesting look at where his career could have gone. Marvelous.

Back in the present day, still separated by Lockdown restrictions, Simon & Gary discuss the merits of this sidestep away from Prog Rock. They ask some hard-hitting questions such as “Was jazz-fusion really that popular?”, “Are Brand X the Spinal Tap of jazz-fusion?”, “Is the title track aptly named?” and “What was Phil thinking?”. We also hear from our sponsors in the first episode to feature advert breaks. Really nice.

Next Episode: The Geese & The Ghost by Anthony Phillips

I hope you enjoyed that trip into the world of jazz-fusion, as a special thank you for listening here’s a special offer for all listeners of The Revelation Station. For a limited time you can get 3 months of Amazon Music Unlimited for absolutely FREE! (Terms and Conditions apply, £7.99 per month after free period for Prime members). By clicking this link and signing up, Amazon will also give some money to the podcast, you’d be helping us out and also getting access to over 70 million songs. It’s literally a win/win situation.

If you want to demonstrate that support in a non-Amazony way you can do so by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment, or possibly paying for lessons in the jazz language.

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Halloween Special: Claws and Effect


Woooooooo! Welcome to the Revelation Station! Join us for a spooky Halloween tale from the deranged minds that brought you “Keep Talking” and “Desert Island Dix”.

This very special episode features a story to chill your cocoa. Have you ever wondered what might happen if your car broke down in the middle of nowhere? And if the only house for miles around was a farmhouse with no broadband? Would a chill of terror run down your spine? Find out what could happen in this blood-curdling episode.

Claws and Effect is written by Gary Starr and performed by Simon Heldreich, with Richmond Leishi as The Man. Produced and Sound Engineered in Studio 2 by Simon Heldreich.

If you haven’t died of fright and are reading this, we appreciate your support. So here’s a special offer for all listeners of The Revelation Station. For a limited time you can get 3 months of Amazon Music Unlimited for absolutely FREE! (Terms and Conditions apply, £7.99 per month after free period for Prime members). By clicking this link and signing up, Amazon will also give some money to the podcast, you’d be helping us out and also getting access to over 70 million songs. It’s literally a win/win situation.

If you want to demonstrate that support in a non-Amazony way you can do so by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment, or possibly paying for a lawyer to get me off an animal endangerment charge.

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Episode 50!

Once upon a time…

Two grown men, who really should know better, decided to start a podcast. They used to write together and hadn’t for a long time, and one of the men thought it would be a fun thing to do. The other went along with it for an easy life.

They started a podcast reviewing Genesis albums, at first they pretended to be in a pub (Oh, sorry SPOILERS) but gradually they started to flex their creative muscles and created more and more elaborate scenarios to put their “characters” through. After 30 episodes, and 2 years, they ended the story on an epic cliffhanger. They promised to continue the story.

Then a worldwide pandemic hit so they started doing weekly podcasts. Which brings us, eventually, to Episode 50. In this landmark episode we revisit the best of Genesis by selecting our 10 favourite tracks and saying why we like them. That’s it. As simple as that.

Oh, and we bring you the untold origin of our exclusive archive recordings in an all new adventure that we call “Deep Throat” (much to Simon’s discomfort). So sit back, relax with a delicious beverage and Please Enjoy!

Thanks to everyone for listening, here we are in the office.

Thanks to everyone for listening, here we are in the office.

Thank you to everyone who has listened to any of the last 50 episodes. We really appreciate your support. If you want to demonstrate that support in a monetary way you can do so by clicking on this link and contributing the price of a coffee. All donations will go towards the running cost of the website and recording equipment, not buying a Deluxe Edition of the new Fish album “Weltschmertz” (I’ve already got it).

If you’d like to share your thoughts about the last 50 episodes, or tell us what you’ve enjoyed so far, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

If it hurts, don't do it...


Who left this great big face here?

Who left this great big face here?

Greetings listeners and welcome to the last, for now, weekly episode of The Revelation Station! This week we take a dive into the troubled waters of divorce in the company of Phil Collins. Here we have an album NOT based on a concept for a change, but that doesn’t mean that the songs contained here aren’t all of a similar theme.

Released in February 1981, almost exactly a year after Mike Rutherford’s debut solo effort, this shows a more reflective side to Phil who was writing the songs in the aftermath of his first divorce. Returning to the UK in mid 1979, Phil found Mike & Tony both in the middle of making their debuts, which meant he had plenty of free time to write and reflect. Roping in such world class musicians as Eric Clapton, L.Shankar and the Phenix Horns, Phil weaves an album of love and loss lead by the number 2 hit single “In The Air Tonight”.

But all of that doesn’t matter if it’s not very good does it? So what do Simon and Gary think of it? Well, SPOILER ALERT, they have almost directly opposing views on the album. Which song reflects Simon’s current real life? Which song stopped Gary from driving his car into a bollard? And what shocking bombshell do we end the episode on? Find out all this and more by clicking play on the episode below.

NEXT EPISODE: Will be our 50th episode. Join us soon for that one.

So thank you for reading this far. We appreciate your support. If you want to demonstrate that support in a monetary way you can do so by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment, not saving up in case I want to get a divorce one day.

If you’d like to share your thoughts about this album or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Turning water into wine...


He’s taken out and taken in to the factory floor.

He’s taken out and taken in to the factory floor.

Welcome back my friends to the show that never ends (“please God will it ever end”, I hear you cry. The answer is “No”). In this week’s fun filled episode we return from furlough and spend some time with Mike Rutherford as he experiences Smallcreep’s Day. Here’s the second solo to be based on a Science Fiction book, although this one only has a single sided concept.

Released in February 1980, only a month or so before Duke, this album finds Mike reunited with his Genesis compadre Ant Phillips to craft not only the story of Pinquean Smallcreep, but several stand alone tracks. Side One (or Two if you have the American release) tells Smallcreep’s tale acros 7 tracks, crucially changing the ending of the book to a more upbeat conclusion. Side Two features 5 tracks unrelated to each other and the story, which see Mike flexing his songwriting muscles.

On the factory floor, the grand parade of lifeless packaging (Gary) experiences this album for the very first time! Will he like it more or less than A Curious Feeling? Well, you know how to find out? That’s right, click the link and experience a rare archive recording of Mike and Ant in the studio, find out which 1980s artist stole Mike’s whole sound and gasp in wonder as an argument is averted before it even begins! Will wonders never cease?

NEXT EPISODE: Face Value by Phil Collins

So thank you for reading this far. We appreciate your support, even if you didn’t enjoy this album, by listening you’ve shown that you love us. If you want to prove how much, you can support us by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment. Mostly it goes on the website fees, it would be nice to have enough to stop Gary moaning, but every little helps (as Tesco say).

If you’d like to share your thoughts about this album (or the next in the sequence) or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

It sure was good for a while...


Don’t pay the ferryman. Don’t even fix a price.

Don’t pay the ferryman. Don’t even fix a price.

It’s the third week of our weekly Solo Genesis album reviews. Up this week is the first album by the man called “the only indispensible member of Genesis” (by none other than their manager) Tony Banks! The first of two solo albums based on Science Fiction novels (the other being Mike Rutherford’s Smallcreep’s Day), A Curious Feeling, has Tony exploring themes of self awareness and loss.

Released in October 1979, this album features Tony playing all the intruments bar drums, which are played by Genesis live man Chester Thompson, with vocals from Kim Beacon of String Driven Thing. Across 11 tracks, Tony weaves the story of a man who gains intelligence and love, only to lose everything. Like you do. Many Genesis fans consider this the peak of solo output, but was the critical mauling it got on release justified? You already know what you think, you’re only here to find out what we think. And that’s easy to fix, just click play.

Regaining their memories for the first time, Simon and Gary explore the soundscapes contained on this keyboard heavy debut. Sit back with a beer and listen with us as Gary experiences the album for the very first time. What impression will it make? Is this lost Genesis album as so many fans assert? What was it like at the very first public playback of the album? And how exactly did Tony come to record the album almost single handedly? All these questions and more will be answered in this thrilling episode. This episode is so thrilling you shouldn’t listen if you have a heart condition! Consider yourself warned.

NEXT EPISODE: Smallcreep’s Day by Mike Rutherford

So thank you for reading this far. We appreciate your commitment, especially if you like this album and you’ve listened to the episode. If you forgive us and want to prove it, you can support us by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment. I might buy a new mixer or something.

If you’d like to share your thoughts about this album (or the next in the sequence) or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Check if you can disconnect the effect and I'll go after the cause...


Here in my car I can only receive, I can listen to you…

Here in my car I can only receive, I can listen to you…

In the second of our weekly look at the solo Genesis catalogue we turn our attentions to Peter Gabriel’s first solo album entitled…er…Peter Gabriel. Or Car if you prefer. Or even Peter Gabriel 1. Listen you need to decide for yourself because it’s only going to get more confusing when he releases more albums.

Anyway, released in 1977 this is the first of 4 self titled albums by the former Genesis frontman. It followed a period of activity which involved, amongst other things, a collaboration with comedian Charlie Drake. This is an album of varied sounds and styles recorded with a band of musicians who had never met Peter before. Some of them would go on to work with him for many years to come. It also features collaborations with Robert Fripp of King Crimson and uber-producer Bob Ezrin. And there are surprises! I mean, how many other prog rock stars would do a barbershop quartet on an album. Apart from Robert Fripp, yes. Name one more!

Back in the room, Simon and Gary discuss the album and it’s many twists and turns. What does Gary think Moribund The Burgermeister is about? What interpretation of Solsbury Hill does Simon reject completely? Is it possible that Gary could be wrong about one particular track on the album and how boring it is? Where will this album come on the “Solo Leaderboard”? And for the first time anywhere we present archive recordings of actual events that happened at the time. Don’t delay, listen now and find out.

NEXT EPISODE: A Curious Feeling by Tony Banks.

So thank you for reading this far. We appreciate your commitment. If you want to return that appreciation, you can support us by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment. NOT towards booze, no matter what Gary might tell you.

If you’d like to share your thoughts about this album (or the next in the sequence) or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Melt In The Dream Void


Never steal a bowling ball from Steve Hackett…

Never steal a bowling ball from Steve Hackett…

Welcome back to The Revelation Station! For the second season of the show we have decided to have a listen to some of the solo albums released by the band members. We’re going to do them in order of release, rather than each artist individually. That means the honour of the first episode goes to Mr Steve Hackett.

Released in 1975, Voyage of the Acolyte is the first of 25 albums by everyone’s favourite Genesis guitarist (sorry Ant but you know it’s true). Written across several years and recorded in the immediate aftermath of Peter quitting the band, this is often regarded as a lost Genesis record and with good reason. It features tracks that were rehearsed by the band for such classic albums as Foxtrot and Selling England By The Pound. Which ones? Hey, I’m not telling you everything here! I need you to listen to the podcast, what am I? A transcript?

Gasp as Simon tells you which track was the first Steve Hackett song he heard! Chuckle as Gary gets things wrong! Shout as they inevitably dislike one of the tracks you really love! And as a bonus, this episode features a very rare, never heard before archive recording of Steve pitching the album to Tony Stratton Smith for the very first time. What will his reaction be? Listen to find out.

NEXT EPISODE: Peter Gabriel

So thank you for reading this far. We appreciate your commitment. If you want to return that appreciation, you can support us by clicking on this link and contributing the price of a coffee to the running of the podcast. All donations will go towards the running cost of the website and recording equipment. NOT towards booze, no matter what Gary might tell you.

If you’d like to share your thoughts about this album (or the next in the sequence) or your opinions of the episode, you can email us at revelationstationpodcast@gmail.com, leave a comment below or join our Facebook group. We would love to hear from you.

Desert Island Dix Episode 2


Hello dear listeners and welcome to Desert Island Dix.

Not at all a rip off of anything else.

Not at all a rip off of anything else.

This weeks guest is the beloved childrens entertainer and balloon animal enthusiast Simon Heldreich. What 10 albums will Simon choose as the most influential in his life? Join us for this riveting conversation as Simon takes us on a winding musical journey, calling at politics, getting into fights and the best portable music devices.

If you’re reading this before midday on 6th July 2020 then there is still time for you to vote for us in the British Podcast Awards Listeners Choice. Click this link and search for The Revelation Station. You can vote for as many podcasts as you like, but only once each.

If you want to support the running of the podcast you can got to Buy Me A Coffee, search Revelation Station and donate the cost of a coffee.
Why not join us on Facebook where there is no beginning to the fun we have.

Join us in the future for another fascinating guest. In the meantime you can email us any feedback to revelationstationpodcast@gmail.com.

Desert Island Dix...Episode 1


Not at all violating copyright or intellectual property.

Not at all violating copyright or intellectual property.

Hello dear listeners and welcome to Desert Island Dix.

This weeks guest is the popular podcaster, author and producer Gary Starr. What 10 albums will Gary choose as the most influential in his life? Join us for this riveting conversation as Gary takes us through his life in music, and reveals all about being a loner at college, judging records by their covers and Showaddywaddy.

If you’re reading this before midday on 6th July 2020 then there is still time for you to vote for us in the British Podcast Awards Listeners Choice. Click this link and search for The Revelation Station. You can vote for as many podcasts as you like, but only once each.

If you want to support the running of the podcast you can got to Buy Me A Coffee, search Revelation Station and donate the cost of a coffee.
Why not join us on Facebook where there is no beginning to the fun we have.

Join us next week for another fascinating guest. In the meantime you can email us any feedback to revelationstationpodcast@gmail.com.

Keep Talking...Episode 10


A subtle innuendo follows, it must be something inside?

A subtle innuendo follows, it must be something inside?

Greetings to all of our Lockdown listeners and welcome to our tenth episode of Keep Talking.

In this episode we have a chat about the 1996 album Casanova by The Divine Comedy. Find out what the boys think of the album, whether they pick up on the *ahem* subtle innuendos in the lyrics, what’s Gary drinking this week and which track is their favourite?

Please support the charity of the week if you can.
Donate to the Samaritans
Casanova album
Venus, Cupid and Folly box set
Buy Me A Coffee
Join us on Facebook

Next episode we’ll be talking about something else. If you’d like to send us your thoughts and feedback on this episode, tell us some recommendations for future episodes or simply let us know what you’re doing to keep yourself sane, email us at revelationstationpodcast@gmail.com.

Stay safe and Keep Talking!

Keep Talking...Episode 9


Greetings Los Friendos, Stationeers and Lockdown Listeners!

If you were expecting a review of The Divine Comedy album “Casanova” then I’m afraid I’m going to have to disappoint you. We’re delaying that episode until next week because we had the chance for a very special episode. No, we’re not covering Gary’s obsession with beer or Simon’s addiction to coffee…

In this weeks episode we talk to none other than Nick D’Virgillio! The drummer, singer and multi-instrumentalist was kind enough to give us his time to chat about Rewiring Genesis, Calling All Stations, playing live, his new album “Invisible” and more!

So, without further preamble, please enjoy our interview.

Links for the episode:
Just Neighbours charity of the week
Nick D’Virgillio.com
New album “Invisible”
Genesis 1967 to 1975 book
UniKuE album
Rewiring Genesis Album
Buy Me A Coffee
Join us on Facebook

If you’d like to send us your thoughts (clean ones please) and feedback on this episode, tell us some recommendations for future episodes or simply let us know what you’re doing to keep yourself sane, email us at revelationstationpodcast@gmail.com.

Stay safe and Keep Talking!

Keep Talking...Episode 8


That will be the tracklisting then…

That will be the tracklisting then…

Previously, on Keep Talking…

The boys covered the first half of Rewiring Genesis A Tribute To The Lamb Lies Down On Broadway, by Nick D’Virgilio. We decided we liked it pretty much, BUT will the second CD change our minds? Find out in the thrilling conclusion…

Find out what Gary has been drinking this week! Gasp as Simon continually says “Brass and Wind Instruments” instead of “Brass and String” (and neither of them notice pfft). Marvel as Gary has to take Simon’s insults about his age because he can’t get to him! Featuring the return of a very special guest star.

Links for the episode:
Our original podcasts about The Lamb - part 1 & part 2
Rewiring Genesis Album
Red Cross Coronavirus Response Appeal
Buy Me A Coffee
Join us on Facebook

If you’d like to send us your thoughts (clean one’s please) and feedback on this episode, tell us some recommendations for future episodes or simply let us know what you’re doing to keep yourself sane, email us at revelationstationpodcast@gmail.com.

Stay safe and Keep Talking!

Keep Talking...Episode 7


Something’s changed, that’s not your face!

Something’s changed, that’s not your face!

Hello Lockdown Listeners!

Welcome to this week’s episode of Keep Talking from The Revelation Station. In this episode we will be casting our ears over The Lamb Lies Down On Broadway…what’s that? We covered that already as part of the Genesis reviews? Well, fear not dear listener for this is the tribute album by Rewiring Genesis the 2008 project by none other than Nick D’Virgilio!

This week we cover the first CD (first two sides of vinyl in old money). Find out about such diverse topics as Gary’s opinion of trumpets and Simon’s extensive knowledge of James Bond. Part 2, next week, will cover the rest of the album, so tune in then!

Please donate to the charity of the week if you can, links are below.

Links for the episode:
Our original podcasts about The Lamb - part 1 & part 2
Rewiring Genesis Album
Adam’s Medical Fundraiser
For Adam’s Life on Facebook
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Next episode we’ll finish off our discussion of the album. If you’d like to send us your thoughts (clean one’s please), give us some feedback on this episode, tell us some recommendations for future episodes or simply let us know what you’re doing to keep yourself sane, email us at revelationstationpodcast@gmail.com.

Stay safe and Keep Talking!